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NEWS
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...The violent colors captured in Farrington's subjects, be they tones of skin or the hues of flower petals, typically seem as if they are caught in a rush of motion-- as if each image is caught some transient rush between birth and death, innocence and experience. There is a tenderness in Farrington's relationship to his subjexts and his desire to render each plant stem or human limb in a manner that suits its delicate nature....
--C-ville Weekly, December 25, 2007
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